大分縣位於日本九州東北部。縣政府大分市。 溫泉數量和湧出泉量皆是日本第一名。面向別府灣的別府溫泉和位於大分縣中央的由布院溫泉，在日本有相當高的知名度。
- 農林漁業
大分縣縣長平松守彥曾經提倡一村一品的活動，因此縣內各町村都有所屬特產。
- 工業
日田市- 维基百科，自由的百科全书 - 维基百科- Wikipedia
https://zh.wikipedia.org/zh-hant/日田市 - Cached
日田市是位于日本大分縣西北部的一個城市，雖然隸屬大分縣，但因為地形的關係，
An exhibition for "Attack on Titan" is being held in the Oyamamachi district of Hita city. (Photo by Kenzo Matsumoto)
'Attack on Titan' exhibition held in manga artist Hajime Isayama's hometown
HITA, Oita Prefecture--Despite the explosive
popularity of his manga series "Attack on Titan," Hajime Isayama was
relatively unknown in his hometown here in southern Japan.
But that has changed with an exhibition featuring illustrations from the series.
The artist, now 26, made a name for himself with his post-apocalyptic manga series about young boys and girls fighting hopeless battles against flesh-eating giants.
The exhibition will run until May 6 at Bungo Oyama Hibiki no Sato, a resort facility in the city's Oyama district, where Isayama was born.
In total, 28 illustrations--exact copies of the original manuscripts used for printing--were selected by Isayama for display in a passageway on the first floor of the complex, which is equipped with "onsen" hot spring baths.
The pictures portray the furious action with gigantic monsters, as well as scenes of children fighting for their lives.
Isayama started drawing manga when he was attending prefectural Hita Rinko Senior High School. After graduation, he went on to study his craft at a vocational school in Fukuoka.
Isayama penned a one-shot comic version of "Attack on Titan" while in school, and came to Tokyo after it received an honorable mention at a manga contest hosted by a comic magazine.
He continued to work on his manga while working at a part-time job.
He made his professional debut five years ago.
When Isayama returned home for the New Year holiday season, he paid a visit to Oyama Yume-Kobo, a company which runs the Hibiki no Sato resort, with his woodwork designer father.
Zenpachiro Mitoma, president of Oyama Yume-Kobo, and other staff members came up with the idea for the mini-exhibition.
"We have a lot of things that we take pride in, such as agricultural and processed products, but now we have something else that we can brag about," Mitoma said. "We want to spread the word to as many as people as posible."
A senior member of the company went to Tokyo to negotiate terms with Kodansha Ltd. for the exhibition.
Because Isayama's contract with Kodansha does not allow original manuscripts to be removed from the premises, the publisher agreed to provide exact copies for the project.
"He is not widely known, even in his hometown of Hita. We are delighted to give our support," said Ryo Tokieda, a Kodansha employee in charge of property management.
The exhibition winds up on May 6. Admission is free.
For more information, visit (http://www.hibikinosato.co.jp/).
But that has changed with an exhibition featuring illustrations from the series.
The artist, now 26, made a name for himself with his post-apocalyptic manga series about young boys and girls fighting hopeless battles against flesh-eating giants.
The exhibition will run until May 6 at Bungo Oyama Hibiki no Sato, a resort facility in the city's Oyama district, where Isayama was born.
In total, 28 illustrations--exact copies of the original manuscripts used for printing--were selected by Isayama for display in a passageway on the first floor of the complex, which is equipped with "onsen" hot spring baths.
The pictures portray the furious action with gigantic monsters, as well as scenes of children fighting for their lives.
Isayama started drawing manga when he was attending prefectural Hita Rinko Senior High School. After graduation, he went on to study his craft at a vocational school in Fukuoka.
Isayama penned a one-shot comic version of "Attack on Titan" while in school, and came to Tokyo after it received an honorable mention at a manga contest hosted by a comic magazine.
He continued to work on his manga while working at a part-time job.
He made his professional debut five years ago.
When Isayama returned home for the New Year holiday season, he paid a visit to Oyama Yume-Kobo, a company which runs the Hibiki no Sato resort, with his woodwork designer father.
Zenpachiro Mitoma, president of Oyama Yume-Kobo, and other staff members came up with the idea for the mini-exhibition.
"We have a lot of things that we take pride in, such as agricultural and processed products, but now we have something else that we can brag about," Mitoma said. "We want to spread the word to as many as people as posible."
A senior member of the company went to Tokyo to negotiate terms with Kodansha Ltd. for the exhibition.
Because Isayama's contract with Kodansha does not allow original manuscripts to be removed from the premises, the publisher agreed to provide exact copies for the project.
"He is not widely known, even in his hometown of Hita. We are delighted to give our support," said Ryo Tokieda, a Kodansha employee in charge of property management.
The exhibition winds up on May 6. Admission is free.
For more information, visit (http://www.hibikinosato.co.jp/).
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